Do speakers of different languages hear music differently?

The way we group notes within continuous sound sequences is determined by the iambic-trochaic law (ITL), whereby we tend to pair sounds of varying intensity or pitch into trochees and those of different duration into iambs. An iamb is formed by two elements in which the stronger element follows the weaker one, and a trochee is exactly the opposite. In other words, when we listen, for example, to a flow of tones that alternate continuously -- one strong (S) and one weak (W), if we segment the flow in trochees we hear the sequences as SW-SW-SW-SW…, but if we divide it into iambs we hear the sequence will be WS-WS-WS-WS…

According to the ITL, when sounds vary in either volume or pitch we tend to prefer the trochaic pattern, but when they vary in duration we prefer iambs. Even the phrasal rhythm of a language follows either iambic or trochaic preferences, and each language has its characteristic rhythm: some prefer a iambic pattern (e.g. Italian) others a trochaic one (e.g. Turkish or Persian).

In a series of experiments, Langus, Nespor and colleagues tested whether the preferred rhythm of the subjects' mother tongues also transferred to non-linguistic sounds (musical tones), or even to visual stimuli. "In previous experiments, we found that iambic-trochaic rhythms also exist in the visual domain, and hopefully we would find an analogy between the auditory and visual domain given the existence of visual languages, such as sign languages for the deaf," explains Nespor.

However, the experiments, conducted on native speakers of Italian, Persian or Turkish, provided negative results. It is true ("as we replicated in our study" explains Langus) that the rhythm of spoken language influenced the perception of the sounds of other languages. "However, we found no transfer of the effect to the other domains of non-linguistic auditory and visual stimuli" concludes the research scientist.